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The Red Victorian is a historic building in San Francisco’s Haight-Ashbury district with a long and varied history. Originally built as a hotel, it became a hub for counterculture in the 1960s and later evolved into a bed and breakfast, community space, and co-living experiment.


History

Early Years (1904-1976)

  • Built in 1904 as the Jefferson Hotel to serve tourists visiting Golden Gate Park [4].
  • During the Summer of Love in 1967, it became the Jeffrey Haight, a free crash pad for hippies and activists [4].

The Sami Sunchild Era (1977-2013)

  • Purchased in 1977 by artist and activist Sami Sunchild, who renamed it the Red Victorian Bed, Breakfast & Art [4].
  • Sunchild transformed the hotel into a center for peace activism and psychedelic art, featuring:
    • Themed Rooms: 17 rooms with unique decor, such as the “Flower Child” and “Rainbow” rooms, and the “Aquarium Bathroom” [4].
    • Peaceful World Center: Hosted Sunday “World Peace Conversations” that became an international network [4].
    • Community Spaces: Included the Peace Cafe, Global Village Center bazaar, and Peace Arts gift shop [4].
  • Sunchild owned and operated the Red Victorian until her death in 2013 [4].

Post-Sunchild Transition (2014-2022)

  • In 2014, District Commons (a non-profit) leased the property and partnered with The Embassy Network for co-living operations [4][5].
  • The building was converted into a 20-room co-living space with community events [4].
  • The community used the Loomio platform for collaborative decision-making [3].
  • In 2020, the Red Victorian closed due to the pandemic, leading to the Fishbowl Collective occupation and subsequent legal disputes [4][5].
  • The Peaceful World Foundation sold the property in September 2022 [5].

Building Features

  • Address: 1665 Haight St, San Francisco, CA 94117 [4]
  • Structure: 3-story wood-frame building [4]
  • Rooms: 17 guest rooms [4]
  • Notable Features:
    • Ground-floor commercial spaces (formerly Peace Cafe, Global Village Center) [4]
    • “Fishbowl” storefront window (used for drag performances during the pandemic) [5]
    • Shared living room workspace (accessible through daytime memberships) [3]

Themed Room Design

Sami Sunchild’s themed rooms were a defining feature:

  • Peacock Suite: Included a bathtub as the centerpiece [1].
  • Redwood Forest Room: Featured murals of endangered trees [1].
  • 1970s Decor: Some rooms preserved a retro aesthetic [1].

Community and Social Experimentation

Co-living Model

  • The Red Victorian experimented with a hybrid hospitality model, combining co-living residents with short-term guests [3].
  • Digital profiles were used to connect guests [3].
  • A “Modern Nomad” booking system was used to manage reservations [3].

Governance and Decision-Making

  • The community used the Loomio platform for asynchronous decision-making and maintained decision archives [3].
  • It balanced in-person events with digital collaboration tools [3].

Cultural Programming

  • The Red Victorian hosted weekly peace dialogues, art exhibitions, community dinners, and guest-led workshops [4][3].

The Red Vic Movie House

  • Operated from 1980 to 2011, initially at 1659 Haight St [2].
  • A collective-run cinema that featured couches instead of traditional seating [2].
  • Known for its annual “Hippie Temptation” screenings documenting 1960s culture [4].
  • Relocated to 1725 Haight St in 1990 and closed in 2011 [2][4].

Cultural Impact and Controversies

Banksy Mural

  • In 2010, street artist Banksy created the “Haight Street Rat” mural on the building [4].
  • A salvaged panel of the mural toured galleries before being reinstated [4].

Pandemic-Era Conflicts

  • In 2020-2021, the Fishbowl Collective occupied the space to provide LGBTQ+ housing [5].
  • This led to legal disputes over tenancy rights and allegations of a “hostile takeover” [5].
  • A settlement was reached in June 2021, requiring the occupants to leave [4].

Current Status

  • As of March 2025, the property is vacant following its sale in 2022 [5].
  • The facade is covered in graffiti, and renovation permits suggest a potential commercial/residential conversion [4][5].

References

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